front cover of Aesthetic Ideology
Aesthetic Ideology
Paul De Man
University of Minnesota Press, 1996
An important reconsideration of ideology by one of this century's most eminent theorists. This long-awaited volume by one of the major figures of twentieth-century thought represents perhaps the most provocative, serious, and important rethinking of "ideology" since the publication of Althusser's essays in the 1960s and 1970s. Aesthetic Ideology offers the definitive resource to de Man's thoughts on philosophy, politics, and history. The core of Aesthetic Ideology is a rigorous inquiry into the relation of rhetoric, epistemology, and aesthetics, one that presents radical notions of materiality. De Man reads Kant and Hegel with a combination of philosophical rigor, interpretive pressure, speculative daring, and ironic good humor that is unique to him, ultimately reaching the heart of philosophical aesthetics. The texts collected here were written or delivered as lectures during the last years of de Man's life, between 1977 and 1983. Many of them have never been available previously in any form; these include essays on Kant's materialism, his relation to Schiller, and the concept of irony. A culmination of de Man's thinking on these central issues, Aesthetic Ideology is a necessary and vital component of your humanities bookshelf. Paul de Man (1919-1983) held appointments at Cornell, Johns Hopkins, the University of Zurich, and Yale. Among his books are Blindness and Insight (1983), The Resistance to Theory (1986), Critical Writings, 1953-1978 (1993), and Allegories of Reading (1979). Andrzej Warminski is professor of comparative literature at the University of California, Irvine. He is the author of Readings in Interpretation (1987) and the forthcoming Material Inscriptions.
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Material Events
Paul de Man and the Afterlife of Theory
Tom Cohen
University of Minnesota Press, 2000

Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." 

A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.

A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon:  Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading. 

The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory.  

Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

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Readings in Interpretation
Holderlin, Hegel, Heidegger
Andrzej WarminskiIntroduction by Rodolphe Gasche
University of Minnesota Press, 1987

Readings in Interpretation was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Readings in Interpretation — a volume primarily on the texts of Holderlin, Hegel, and their interpreter Heidegger—locates itself strategically between literature and philosophy. In keeping with this juxtaposition, it treats the question of self-consciousness and reflection on the levels of "theme" and "text." For both Hegel and Holderlin, selfconsciousness and its relation to knowing are explicit themes, but Waminski's readings show that a more disruptive reflection is operative on the level of text.

In an argument that centers on the textual aspects of Hegel's Phenomenology of the Spirit,Warminski demonstrates that the negative moment—which is often interpreted as a prelude to a unified self-consciousness—cannot be accounted for by interpretive models drawn from outside the text—by concepts like the self, consciousness, or the subject. Instead, a completely different practice and theory is necessary. The author's "Prefatory Postscript" at the beginning of the book therefore serves as an introduction to sketch the theoretical basis of the readings that follow and as a "postscript" that explains the difference between "reading" and "interpretation" which those readings make necessary.

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